When I started out in photography I felt an immediate affinity for the so-called artistic virtues of black and white. I appreciated colour photography, but apart from subscribing to National Geographic and admiring the beautiful images captured across the world, I did not believe that colour was anything other than the medium one used for commissioned work and it did not inspire me as a creative form in its own right.
Two of a kind
This is the first of a series of articles that I will publish based on my approach and experiences in Street Photography. As the genre is vast and has no set rules and boundaries, it is easier to look at one's own work and that of selected
London Zoo revisited
When I was starting out as a photographer I was fortunate enough to visit a Garry Winogrand exhibition and his work made an immediate and lasting impression on me. His ability to get in close, his knack of capturing people's expressions at their most unguarded,
ECV design school open day
Patrick Hermand, founder director of the ECV schools, came to Nantes on January 24th to officially open the school's new premises there, which coincided with the Open Day preview, exhibiting a high quality selection of the students work across all the years.
Hidden faces
When I'm running workshops, most participants are keen to find out what the best way is to shoot strangers on the street. That is to say, without being noticed, or without being ve
Designer David Pearson makes a hit in Nantes
London-based designer David Pearson, renowned on both sides of the Channel and internationally , for his innovative book cover designs, most notably with Penguin and Zulma publishing, was in Nantes last week to reveal a bit more to the initiated and wider public alike.